Gaze & Glory
The Long Look
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Framed

The story behind the photograph

A few years ago I was in Dublin on business, after a day there, on a whim I asked my son to fly out and join for a few days... his spirit was in for it and he came. I think I worked the next two days, he explored on his own in the day and we dined at night. Then we rented a car and headed to the West Coast of Ireland to circumnavigate I think the ring of Kerry. Driving on the wrong side of the road, on the narrow country roads, neither of us with any experience, some of the biggest smiles for both of us. This is him, at one of our stops as we took in the amazing views. You can't trade experiences with those you love for anything. Make it happen.”

— Tom Bartel
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The story
The Long Look, close up
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Close up
The Long Look

21.5″ × 31.5″ on wall

Estimated scale

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Gallery wall
The Long Look

21.5″ × 31.5″ on wall

Estimated scale

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Living room
The Long Look

21.5″ × 31.5″ on wall

Estimated scale

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Above the bed
The Long Look

21.5″ × 31.5″ on wall

Estimated scale

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Office
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Every size
← The Originals

The Long Look

In Tom Bartel's words

“A few years ago I was in Dublin on business, after a day there, on a whim I asked my son to fly out and join for a few days... his spirit was in for it and he came.”

Read the story →

Picture

ArtPhotograph

Verse

WithWithout

Format

Crisp detail on archival fine-art paper, set behind glazing in a gallery frame.

Size

Holds a wall on its own, over a console or desk

21.5″ × 31.5″ on the wall, with the frame

Good detail. Made to be seen from a step or two back, as a piece this size usually is.

Frame: Black

$279
  • Printed to order and with you in about 5 to 10 business days.
  • $33 shipping within the United States.
  • Damaged in transit? We replace it free, within 30 days.
  • Each piece is printed for you, so we can’t take back an undamaged one.
Read the story behind the photograph →

A lone figure stands in silhouette on a dark shelf of coastal rock, facing a flat sea and a low headland on the far horizon. Broken cumulus fills most of the frame, backlit so the cloud edges burn pale while the foreground stone holds almost no detail. The split-toned treatment pushes the sky toward warm sepia and the rock toward cold blue-black.

The pieces this photograph inspired

This photograph was developed in our studio and set with words, for anyone who wants the place and the words together.

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